Voicing the Top

So voicing the top to me means carving the braces down until I get some sort of tap tone on the top that is musical and has a ring and sustain to it.. Pretty subjective really, there are other means that are more mechanical and use various scientific equipment but I really don't have the interest in learning those or buying yet more equipment.. The method I use has been used for a very long time and can be very successful.

                                         

Top with rough bracing

Carved and scanded braces

Back braces also sanded

Top and rest of body ready to be closed up.

Intonation & Bridge position

So intonation, a bit of a black art to say the least, how do you get it right? I have some ideas for 6 string guitars pretty much based on the work done by others and some trial & error but for a fanned-fret Mandocello I have no idea how to calculate that.. But luckily there is a low tech way to do this..

I take no credit for this method, I saw Dan Erlewine doing this in a guitar bridge replacement video.. Basically you make a temporary tailpiece to allow you to string up the guitar and just adjust the bridge by trial & error until the instrument play in tune up and down the fretboard.. Not really a fast process but it works.. So that is what I did.

Of course once I am finished French polishing I'll have to do it again to get the final bridge placement before I drill  holes etc but this was good practice any way and now that the bridge position is masked off I can start finishing. First z-poxy pore filling, then some sanding & on to French Polish....