There are several reasons you might make a guitar a multi
scale or fanned fret instrument, one is to make the instrument more ergonomic
and playable the other is to allow for better string tension on the bass
strings, which is my reason.
Since a MandoCello uses relatively large strings on the low
C (0.070-0.074”) getting enough string tension at the shorter scale length I
want to use (24.75”) is problematic so to help I’m hoping to do a fanned fret
design with the treble side (A3) being 24.75” and the bass side (C2)
being 26.25”.
Unfortunately going to a fanned fret or multi-scale design
changes the design of the entire instrument as the saddle, bridge and nut all
now need to move around and this effects the brace position.
My first consideration is getting the fingerboard properly
designed and picking the strings. Choosing strings is an art in and of itself,
there are many options and types to consider. I’ve looked at several types and
since I want to do a pin bridge I need ball end strings. So after much thought
and a bit of a guess work I’ve settled on stainless round wound strings for
everything but the A string which still might be plain steel.
Next the string gauge needs to be determined. Ideally all
strings should have the same tension or a slight increase in tension as you go
lower in pitch, at least that is what I am aiming for and that tension needs to
be high enough so the strings are not “floppy” and low enough so the instrument
can be built with reasonable bracing so that it continues to be responsive.
So after some fiddling with an on line calculator (http://www.surveyor.com/guitar/stringtension.html)
I’ve ended up with the following, C2-0.068; G2-0.046; D3-0.030;
A3-0.018 which give 24 to 25# tension per string slightly increasing as they go lower. So
around 200# total string tension which is say about what an extra light strung
12 string would be, I think.
Now I need to design/modify the top bracing to accommodate the
new bridge location.
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